When I review albums of music I want to provide as much useful information as possible while also providing my own unique perspective on the album. Below my commentary will be a series of links for more information, lyrics, the band’s website, and a link to purchase the album. Please support the artist you enjoy!
Track #10 -Disposition-
This is perhaps the most relaxing, cool sounding, and mellow Tool song ever written. I believe all the members of Tool must have been in a very spiritual hippie kind of place in life when they created this song and wanted to explore a new style of music. This can be risky for any band but Tool pulls it off very well. It’s placement in the album comes after the bright, colorful, and loud Lateralus theme song but it doesn’t feel like it’s here for the sole purpose of breaking up the album or just to set the stage for the remainder of the album. It does all of that and more for me personally. This song comes across as a message of contentedness, acceptance, and a desire to keep learning and experiencing new things. There is an emphasis in the music on more natural sounds especially with Danny Carey’s hand drumming performance. Maynard’s lyrics are simple yet beautifully sung with a focus on nature, the weather, and communication. Adam Jones’ guitar work is 100% pure atmosphere creation with heavy bends and cool sound effects. Justin Chancellor mirrors Jones’ guitar work on his bass giving the track a bellowing and thick foundation to stand on.
As you listen to the song try to imagine how it feels to be with family or good friends at a picnic, camping, or hiking. I really love putting this track on after I’m done running too cool off while I walk myself and my heart rate back down to earth. This song makes me feel very grounded and willing to accept what nature hands me. It also makes me want to reach out to others and share my experiences with the one’s I love. Normally when Tool does a track to break up the album and set up new ground for the next songs it is usually something simple, short, and consist of strange sound effects. As I said, this track certainly has all of that but is a fully functional and critical song to this album. I strongly feel that without this really unique Tool track Lateralus simply would not hold the weight it does. I can show this song to almost anyone and they will typically enjoy it. It’s been a great way to break the ice with someone who might have never given Tool a chance. I have a sister who listens to mostly country or pop radio music told me she never imagined a band like Tool would ever move her in a way that inspire her because of this very song. I believe that is a compliment to the artist rather than a knock or a way to say “they sold out”. It’s the fact that such a unique and wonderfully performed prog/rock song from a band as aggressive and bright as Tool can reach across genres and musical taste to reach out and touch a stranger really sticks out to me. To me this song seems to celebrate the idea of reaching out and trying new things with other people makes it all the more perfect.
When the song reaches its end don’t react yet. Just focus on what you’re hearing. Listen to the guitar and bass fading and the drum stick bouncing off the head. Listen to the whirring background and empty your mind. Prepare for the beginning of the next track because you’re in for a big time treat. Just when you think the album could be running out of gas you are presented with an even more unique, incredibly deep, and complex song that is going to be a great challenge to review as I have so much to say about it.
Track #11 -Reflection-
I am going to have to be really careful not to write an entire book about this song. I have a lot to say about it because it has a lot to say to all of us. Let’s just dive right in though and start swimming. I hope you really paid attention to the end of the previous track Disposition and how it bleed right through into the beginning of this song. Danny Carey has always prided himself and his skill. He doesn’t seem like an arrogant man but he is definitely one of the most confident drummers I have ever heard. The main reason I speak so highly of Danny Carey when top drummers list are being discussed is mostly because of how truly unique he plays. I will always appreciate and admire a more rigid and technical approach to music. Staying inside the lines so to speak is part of the art form of playing music. Mastering classic techniques and showing proficiency with them will always be impressive and Danny Carey certainly is impressive in that aspect when looking at drumming. That said, the real reason I am such a big fan of Danny Carey is just how far outside the lines he can draw yet still keep it all together without it feeling like a drug fueled drum solo. The performance by Danny throughout this song is absolutely bullet proof and inspires me to no end. At times it sounds as if there are actually two drummers playing a duet instead of just one extremely talented man. Absolutely brilliant drumming.
By the time the bass is introduced you’ve already been experiencing a very dark, tribal, and atmospheric drumming performance. The introduction of the bass only amplifies this feeling. This is another case where the simplicity of the actual playing is not as impressive as how it was composed into the song. It makes the song feel really trippy and weird and I love it. Synth work is also introduced and adds more depth to the song making it feel almost sluggish in contrast to the incredible drumming going on. Adam Jones guitar work sounds very eerie and creepy which fits perfect with the rest of the band. Still though, Danny Carey’s drumming stands out and almost seems to be in command of everything. It feels as if no music can take place or be added without Danny’s permission. And that’s when we get our first ghostly listen of Maynard’s singing.
This song more than the rest of the album needs to be read. Please find the song here and study it. “Lateralus Lyrics Link” This is going to be incredibly difficult to keep short but I will do my best not to bog you down here. This is a song all about you. It’s not to feed your ego however so don’t even go there. Instead try to imagine what it feels like to make a mistake but not just any mistake. The kind of mistake you can’t make up for. The guilt, shame, and indignity that comes with making those kinds of mistakes are unique because while it might seem painful and difficult it’s really a chance for you to take responsibility for yourself and own your actions. I often find it’s a means by which I get to know myself better especially as I grow older and stop blaming others for my problems. I often find that running away from this often leads to even more severe consequences down the road so in essence failing to recognize your failures will result ultimately in even more dramatic failures in the future as you keep avoiding what ever problems are plaguing you.
The beginning of this song is so dark and makes me feel isolated and I am fairly certain that this is exactly what the artist wanted us to feel. Maynard’s voice sounds so desperate, whining, and small underneath the big giant behemoth of the instrumental. To me, the singing is the narrative of the story while the instrumental aspects of any song is the foreground and background of the narrative. Applying that idea here means to me that Maynard plays the roll of a person who’s been over whelmed with the world around them and that the instrumental music is the world around them. In this case a very dark and brooding world where fear and confusion dominate the emotional fortitude of the main character.
As the song progresses there seems to be small sparks of intuition and inspiration with our main character. I get the feeling the artist are subtly inviting us to face our problems, grit your teeth, and keep a stiff upper lip as you move on to conquer your problems. What I love about this song in particular is how often my emotions change throughout the song. We’re used to this with all music as we follow familiar patterns of chorus and verse and interchanging them in order to elicit a certain emotion towards one thing or another. This song is no different except they seemed to composed it all in a way that seems to wax and wane between positive and negative emotions so often that I always seem to get lost in the music and start to really think about my life. It’s a wonderfully strange feeling because I am deeply impressed that a song could make me focus so damn hard on myself. It’s not an angry focus but more like healthy criticism.
This song also wants to remind us that we are not alone in our day-to-day suffering and struggle. This small consideration seems small until it turns into incredible inspiration. There is verse in this song that to me symbolizes what it means when people say “we are not alone”. I don’t like to paste lyrics into my writing but I really want to now because I’m worried you won’t read the lyrics for yourself but if you’re a fan of music and you’re reading this please try your best to love this song after multiple times listening and after having read the lyrics.
The ending of this song last a couple of minutes as the musicians really take their time to put a strong emphasis about the urgency of living life to its fullest as often as you can while you’re still here. There is a message that repeats and drives the point home as the rest of the band really push themselves to deliver a perfect ending to this epic song that also lends itself to the next and last musical track on the album. To me the end of this album is like a trilogy of songs meant simply to be very different from anything you’ve ever heard before. That said, this particular track stands out the most. It’s just so very good especially if you’ve taken the time to really look into the lyrics after you’ve enjoyed the song a few times. I never read the lyrics to songs until after I’ve heard the music several times and I can’t stress enough how much more this song comes to life once you really dig into the lyrics.
Enjoy this song folks. Before you pine away.
Track #12 -Triad-
As you leave the ambiance of Reflection and enter into this song you might notice a steep and exponentially more aggressive theme beginning to pulse in the background. My friends if you like flat-out rock and roll meant to make you start banging your head this is to me one of the most ultimate head banging anthems to come out of the new millennium. The focus on this song is strictly on rocking as hard as you can while you have time to do it. This is the spirit of rock and roll and a bit of heavy metal incarnate in the form of four amazing musicians capping one of the great works off with an amazing instrumental opus meant to please the gods of rock.
I always imagined this is what an ancient tribe of musicians would sound like if they had access to modern instruments and technology. It’s easy for me to imagine a rain dance going on in the back ground or a rite of passage ceremony. There is something so familiar and comforting in the aggressive tribal drum beats being granted to us from above by Danny “The Lion Fucker” Carey. The guitar work is once again nothing extremely technical but some how Adam Jones is able to make it sound ridiculously awesome I believe in large part once again to the talent of Danny Carey. Adam’s guitar playing just so happens to be a perfect accent to Danny’s drumming sound. That said, we do get some really cool sounding guitar solo’s in the track as well.
Justin Chancellor’s bass work is present and definitely adds a very crunchy and very round sound to the whole song. I always liked Justin’s work because of how percussive his playing seems to be. Like Adam he is the perfect accent to Danny’s drumming making it even more thunderous than it already is. There are no lyrics to this song but when I saw this song performed live Maynard James Keenan was playing a guitar and also played with a keyboard. There was also another percussionist playing some sort of tenor tama drums. It made this already really epic song even more incredible and I’ll never forget it. I believe it was the second to last song they played and the stage was ablaze with amazing artwork, incredible visual effects, intense video packages, and of course amazing musicians performing amazing music.
What we have here then is a song best listened to when you’re with a bunch of buddies doing something awesome together or if you’re by yourself you should get up and move a little bit to the music. It’s meant to be rocked out to by cool people who appreciate good rock and roll music. This song really makes me feel more connected to other Tool fans almost as if it’s our tribal war song that we all want to mosh to. In the end that’s what this album feels like to me. I big long epic voyage with interesting twist and turns all capped off by an exclamation point.
Track #13 -Faaip De Oiad-
One of the most creepy bits of audio I’ve ever heard. It’s a track meant to catch you off guard as it’s tucked away and could be easily missed. It’s a combination of a conspiracy theory radio show getting a call about Area 51 aliens taking over the planet and eerie sound effects done by someone combined to make what feels like a horror radio show. If you ever want to creep someone out play this while they’re asleep and wake them up, tell them it’s on the radio right now and all over the TV!
This has become quite a lengthy article so I have decided to break it up in three parts. Be sure to visit the previous two articles if you haven’t already!
Don’t forget that if you want to listen to the album, please, for the love of all that is right and just in the world. Buy the songs or the album.