I have thought about this particular case a lot since it’s happened. I know one of the reasons why is because I just absolutely love Kyuss’ music. Anything that tarnishes the awesome music they produced makes me feel a bit angry at those responsible and I have an emotional reaction to it. This part of the 3 part article is to install a sense of contrast. Perhaps I am wrong for feeling the way I do in some ways and I believe in challenging yourself in order to understand yourself better. To know why you feel the way you feel and to learn whether or not your initial reaction to a situation is a factually correct reaction to have. This case, as a whole, provides a lot of very important lessons one can use in other areas of life and for that reason, I chose to go into great detail and write a blog entry about the case in order to both share the story and also hopefully grow my understanding of ideas like “intellectual property”.
When this case first hit the web, my initial reaction was to throw my anger towards Josh Homme and Scott Reeder. That anger has the potential to be misappropriated because as Josh and Scott point out, Brandt and John filed papers as well, to claim ownership over the name sake Kyuss. This goes against my idea of intellectual property as well so why should I just be angry with Josh and Scott? After thinking about this further I’ve discovered I now feel quite differently about everything that happened. I find myself dividing that initial frustration unto Brandt and John as well. Why do they all believe that they should own Kyuss? Don’t they remember the excitement that came with writing and performing those songs? Has their successes and failures in life lead them to forget what it was like to be a fan of your favorite rock and roll band? Is it no longer about the fun, joy, and challenge of creating something special with their given talents in order to embrace the cold confines of financial security and ownership of ideas? Looking at the picture below, it makes me realize that at one time all these guys were friends, band mates, and colleagues. Somewhere along the line, something must have happened between them that lead to all this. That said, maybe, just maybe, something else can happen to lead to another fully fleshed out Kyuss project down the road. Though I’m not getting my hopes up.
Perhaps then there is an alternative way for someone like myself to view such a tragic situation such as this. I don’t have to like that Kyuss is no longer going to ever exist or perform any of their classics or create anything new for audiences to enjoy and pay for. It’s all about the money to all of these men when it comes to Kyuss it seems. Though I did appreciate being able to see Kyuss Lives! for the last time and I appreciate the effort of continuing Kyuss by Brandt and John I find I must place some blame on them as well for not trying to work harder with Josh and Scott on finding a private resolution to this situation. While I still disagree with Josh and Scott’s lawsuit, I can say now that I understand why they did what they did. I just wish everyone involved could have found an agreement and not ruined one of the greatest unknown 90’s hidden gem of a band that has inspired me for quite a long time now.
What’s done is done however, the past is the past for a reason. From here on, I will find myself enjoying Kyuss for the epic band they were, the songs for the classics they are, and also all of these musicians career’s as they continue to write their stories with Vista Chino and Queens of the Stoneage. I must admit though that my frustration with Josh and Scott lead me to pre-maturely boycott the release of Queens of the Stoneage’s …Like Clockwork. Perhaps it is time for me to let the past be the past and press play on the present so that I can enjoy what I know will be a quality effort from Josh Homme with Queens of the Stoneage.
So, at the end of my frustration with this story, I find myself fine with the squabble between the former band mates. I see now that it is their failure to find an agreement that lead to this situation, not that my ideals are failed. I keep thinking back to Wizards of the Coast and their Dungeons and Dragons character. They must have heard about this story by now and still, no news of a major lawsuit against any one of the former members of Kyuss for reaping the rewards of being in a band with the name of a character which they indeed created for their monetary interest. Perhaps then there still are good people who just love to have a good time, share ideas freely, and let each other benefit from one another without putting up barriers and walls to divide ourselves from one another. The Devil’s Advocate has failed to persuade me that I had everything all wrong. That I should just forget about my principles, that the right things happened here, and that I am just being too critical or overly sensitive. Obviously, music and art mean much more to me than the average person. These things have an obvious and much welcome impact on my life and I am not ashamed to admit that. That is why I cared so much about this case.
Now that I feel I’ve explained this as much as I possibly could in two parts, it is time to do the review of the album. The next part of this series is going to focus specifically and only on the album Blues for the Red Sun by Kyuss. There will but no mention of any of this behind the scenes drama and will be strictly about the albums qualities and why I love it so much. I hope that by the time you read this article in full you would have already listened to the entire album and understand why it is a tragedy that Kyuss can no longer exist no matter what anyone says or thinks or feels.
And now, Blues for the Red Sun